Antoni Conejo's style makes it easy the Plastic visual expression in the painting.
Develop, simultaneously, his own expressive plastic visual capabilities, by means of creative experiences, trying to develop to the maximum his potentialities and capabilities, as well as discovering properties. The forms they acquire his significance inside of the Space, in a composition. The Artist has to order, of logical manner, wholes The elements in order that they obey his show in I am in the habit of of the picture, being this wise distribution, what he will do more or less valid the work Of art. artistic language is complex and Changing, but obey style to one true Compositive logic than, if himself transgrede, he is able to Provoking in the spectator an obvious sensation of Rejection. I am in the habit of and logic, they are not Rigid rules, right now than these last, styleless They have taken to many painters there are aftermath frankly negative. The artist the painter has to know the rules, To learn them and after to forget them. Only thus he is As Antoni Conejo gets an own language and Individual - a style - that he will tell it apart of The rest of the artists. It is necessary to do to note than in the Passing of story of Art, the likes They have changed, dogmatisms have varied, Pictorial practice has been enriched and Esthetic confrontations have been frequent. It's not possible to summarize historic vicissitude in one Process of infancy, maturity and old age. than nos would take to an evolutionary vision of art and no once A reality was related to cultural, destiny That it deals in style to examine art from Inside, in each moment. The style with one Own language, than inside of the keep plays Infantile, mature and decrepit. In the aspect Personnel, the work can be decanted toward one or Another style. the only Desirable thing it is than nobody Talk to of styles evolved or new ones, Better or worse. The pictorial work is there. 

The forms they acquire his significance within the space, when they structure themselves in a composition. I owe of ordering, of logical manner, all of the elements in order that they obey his show in the style of the picture, being this wise distribution of you form what he will do more or less valid the work of art.
artistic language is complex and changing, but obey style to a true compositive logic than, if it is transgressed, he can provoke in the spectator an obvious sensation indirectly. We talked about style of logic, no of rigid rules, right now than these last, they have taken to many painters styleless there are frankly negative aftermath.
The artist the painter has to know the rules, to learn them and after to forget them. Only thus he is like Antoni Conejo he gets an own and individual language - the style - that he will tell it apart of the rest of the artists. It is necessary to do to note than in the course of the story of Art, likes have changed, dogmatisms have varied, pictorial practice he has gotten rich and esthetic confrontations have been frequent. It is not possible to summarize the historic vicissitude in a process of infancy, maturity and it treats old age that cultural member would carry us to an evolutionary and related vision of art with a reality, rather in the style to examine art from inside, in each moment. The style with an own language, than inside of the keep infantile, mature and decrepit plays. In the personal aspect, the work can be decanted toward one or another style. the only Desirable thing the fact is that nobody talk about styles evolved or newborns, better or worse. The pictorial work is there stops to appraise it I am in the habit of within his same one, does not stop that we rank her with works of another moments. technique can evolve, having an effect on the conformation of the work, but never lifting a composition on top of them besi

Paint of creation

Creativity implies risk and courage; He is to jump into an adventure, perhaps motivated for a personal answer. But of nothing he serves jumping into the void if not we have A basic knowledge of paint.
He finds the paint's alphabet formed for the color, he forms it, the space and the sketch. If he compares with verbal language, the color, the form and the space would be the words, the guidelines the sentences, the expressions, and the sketch would be the timbre, the emotional load whose talks .

Toni Conejo: I depart of convictions that they repose in the understanding of art, whichever end be its manifestation like an end as such that makes easy the communication and the human being's own knowledge.